Lonely Playground by Shooless
Recording, Mix, Master Engineer

Sylvia by Sig Wilder and Just Janie
Mix Engineer

Into the Maw by Badmaw
Master Engineer

Fix Me Up by Marianne Leigh
Master Engineer

Soft Power by Fazerdaze
Recording Engineer

Solar Power by Lorde
Assistant Engineer

The Big Sulk by Louisa Nicklin
Recording and Mix Engineer

Baring Head by French for Rabbits
Recording Engineer

Ceremony by Tiny Ruins
Recording Engineer

Break! by Fazerdaze
Recording Engineer

My Saviour by Annika Rani
Mix Engineer

When It Gets Easy by Geoff Ong
Mix Engineer

Ōtepoti Music Compilation Volume 1 Master Engineer

Caffeine High by Marmalade
Mix Engineer

5 Star Shag by Caught Inside
Recording Engineer

Waiata Anthems #1
Recording and Mix Engineer

Kōrukutia by Hollie Smith, Don McGlashan
Recording and Mix Engineer

Something to Feel by Teeks
Assistant Engineer

Angel in Real Time by Gang of Youths
Assistant Engineer

Te Kaahu o Rangi by Te Kaahu
Recording and Mix Engineer

Movie / TV / Web Series Releases

Live Music Bar by Sports Team
Recording and Mix Engineer

Still Here Season 1
Mix Engineer

Still Here Season 2
Mix Engineer

K-Polys
Mix Engineer

Bookworm Soundtrack by Karl Steven
Recording Engineer

Music for Relentless by Arahi
Recording Engineer

More Than Gold Soundtrack
by Arli Liberman
Recording Engineer

Never Look Away Soundtrack
by Karl Steven and Jason Smith
Recording Engineer

Black Coast Vanishings Soundtrack
by Karl Steven and Rob Thorne
Recording Engineer

Uproar Soundtrack by Karl Steven
Recording Engineer

Come to Daddy Soundtrack
by Karl Steven
Recording Engineer

Savage Soundtrack by Arli Liberman
Recording Engineer

Black Hands Soundtrack by Karl Steven
Recording Engineer

Bellbird Soundtrack by Karl Steven
Recording Engineer

About

Emily Wheatcroft-Snape is a recording and mix engineer from Auckland, New Zealand. Emily graduated a Bachelor of Audio Engineering and Music Production at MAINZ in 2017 before developing her studio craft at Roundhead Studios.

Emily now works as a freelance recording, mixing, and mastering engineer. Recent clients include Louisa Nicklin, Fazerdaze, Shoeless, Arahi, Sig Wilder, Live Music Bar with Sports Team, and Karl Steven.

You can spot Emily on the cover of the December/January 2024 issue of NZ Musician, and she was nominated for Best Engineer at the 2024 Aotearoa Music Awards.

Record Enable

An initiative I created in 2022 to help woman and non-binary people create sustainable careers in music creation.

Auckland Sounds

Em

A location recording project started in 2017 where I record various locations around Tāmaki Makaurau / Auckland.

My music artist project started in 2020. I create my own music in my spare time and release it regularly.